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This volume, edited by Katerina Valdivia Bruch, is a compilation of critical essays on the development of conceptualism in Latin America between the 1960s and 1980s. In this context, a group of artists committed to social change put into practice alternative forms of political action that involved questioning power structures and promoting solidarity and justice among different communities.
The book offers new perspectives on Latin American conceptualism, with examples from Argentina, Brazil, Chile, Colombia, Cuba, Mexico, Peru, and Uruguay. It highlights the contributions of local artists and thinkers whose proposals, in dialogue with other Latin American contexts, challenged the paradigms of international art and developed their own categories that reflected the uniqueness of their practices.
Among the topics covered are the emergence of critical positions for examining art from a Latin American perspective, the creation of new terminologies, the recovery of archives, the defence of historical memory, the proposals of third cinema, as well as exchanges with cultural diplomacy programmes and internationalism.
These approaches address Latin American conceptualism not only as an aesthetic movement but primarily as a process of knowledge production that integrates theoretical reflection with artistic practice, actively responding to the political and intellectual debates of its time.
Contributors: Oscar Ardila Luna · Joaquín Barriendos · Claudia Calirman · Fernanda Carvajal · Luis Camnitzer · Miguel Errazu · Cecilia Fajardo-Hill · María Mercedes Herrera Buitrago · Cecilia Lacruz · Lisette Lagnado · María Linares · Ana Longoni · Jorge Lopera · Vania Markarian & Julio Cabrio · Mariano Mestman · Gerardo Mosquera · Katerina Valdivia Bruch · Víctor Vich
Print-on-demand (POD): ISBN 978-3-00-083610-7
E-book: ISBN 978-3-00-083860-6
333 pages
90 images (colour and b/w)
Spanish edition
Berlin: Pluriverse Press, 2025

59,00 €, 7 % VAT included

49,00 €, 7 % VAT included
The PDF version provides a faithful reproduction of the original layout, suitable for citation, research, and teaching. It ensures consistent pagination and formatting for scholarly use.
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La versión en PDF ofrece una reproducción fiel del diseño original, adecuada para citas, investigación y enseñanza. Garantiza una paginación y un formato uniformes para el uso académico.
The print-on-demand edition offers a high-quality physical copy, produced sustainably and distributed globally. It allows readers and libraries to access the publication in traditional book form without excess inventory.
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La edición impresión bajo demanda ofrece una copia física de alta calidad, producida de forma sostenible y distribuida a nivel mundial. Permite a los lectores y al personal de bibliotecas acceder a la publicación en formato tradicional sin exceso de inventario.

Pluriverse Press is an independent publisher connecting art, research, and education that merge scholarship and creative practice. We are interested in research fields that challenge dominant art-historical narratives and advance dialogues across diverse intellectual traditions and artistic practices. One of our aims is to broaden the field of art studies, creating space for new voices, methodologies, and perspectives in global art histories. From essays and monographs to hybrid projects, we consider publishing as a space for inquiry, dialogue, and innovation across disciplines and communities.
Pluriverse Press es una editorial independiente que conecta el arte, la investigación y la educación, fusionando el conocimiento académico con la práctica creativa. Nos interesan los campos de investigación que desafían las narrativas dominantes de la historia del arte y promueven el diálogo entre diversas tradiciones intelectuales y prácticas artísticas. Uno de nuestros objetivos es ampliar el campo de los estudios artísticos, creando un espacio para nuevas voces, metodologías y perspectivas de la historia del arte global. Desde ensayos y monografías hasta proyectos híbridos, consideramos la edición como un espacio para la investigación, el diálogo y la innovación entre disciplinas y comunidades.
Copyright © 2020-2025 Katerina Valdivia Bruch - All Rights Reserved
Image credits according to the division of the website:
Home page background image: © kbza/Freepik; Exhibition: San Felipe, © Yoel Díaz Vázquez, 2005-2018; Le Glück Quantitativ, Video Still © Daniela Lehmann Carrasco, 2010; Elevación, Video Still © Ana María Millán, 2019; RENOMBREMOS EL 12 DE OCTUBRE, © María Linares, 2019; Exhibition views: © Katerina Valdivia Bruch; Participants: Gerardo Mosquera © Wang Guofeng; Ana Longoni © Joaquín Cortés, MNCARS; Luis Camnitzer © Selby Hickey; María Mercedes Herrera Buitrago © Yunnger Gutiérrez; Víctor Vich © Tatiana Gamarra; Cecilia Lacruz © Irina Raffo, Yoel Díaz Vázquez © Dragan Simicevic; Vania Markarian © Richard Paiva, UCUR, UDELAR; Mariano Mestman, courtesy Mariano Mestman; María Linares © Katerina Valdivia Bruch; Cecilia Fajardo-Hill © Lucas Farrow; Daniela Lehmann Carrasco © Cristián Lehmann Carrasco; Emilio Tarazona © Natalia Guevara; Jorge Lopera © Andrea Nones Kobiakov; Lisette Lagnado © Pedro Agilson; Óscar Ardila Luna © Lorena Díez; Joaquín Barriendos, Courtesy Joaquín Barriendos; Claudia Calirman © Fernanda Calfat; Miguel Errazu, Courtesy Miguel Errazu; Ana María Millán, Courtesy Ana María Millán; Fernanda Carvajal, Courtesy Fernanda Carvajal; Team: Katerina Valdivia Bruch © Cecilia Torres